Swinging Pearl Jacket

The green, classy jacket featured on the book cover is the Swinging Pearl Jacket, and I have a set of questions for Jill about the jacket.

TB: This is an elegant jacket that can be worn to work or to dinner, but it is still relaxed enough to be worn casually with jeans. It can really be dressed up or down depending on the accessories chosen to complete the look. How did you see this jacket being worn, and who did you see wearing it?

JH: My taste generally runs to classic designs. If you put the effort into making a garment, it is nice to be able to wear it in 10-15-20 years and still look great! In fact, this jacket is one that I can envision wearing over and over and over, because it is so basic! The style is not limited to any one age bracket, either, so that adds to the design’s timelessness.

TB: I really love the fit of the Swinging Pearl Jacket, especially the set in sleeves. One of the biggest complaints I hear from plus-sized women about crochet patterns is that a lot of designs for plus-sized women have drop shoulders, but they want the option of set-in sleeves. When they do find a pattern with set-in sleeves, they sometimes have issues with the placement and depth of the armholes. How do you determine your armhole placement so that your garments fall from the shoulders and have proper drape?

JH: It drives me crazy to see ill-fitting armholes in plus size garments! Of course, not every woman is built the same, but I do try to shape armholes so they will lay properly on the body. Keeping the shoulder width of the design within the range of normal shoulders makes a difference. I then try to use increases to add width at the sides rather than adding too much depth (length) to the armhole. I also like to use a shorter, wider sleeve cap, and add length to the sleeve underarm. This helps to free the sleeve to move without pulling the garment away from the body.

As a back-up to my theory, I prevailed upon two plus-sized friends who were kind enough to let me measure some of their clothes to compare with my calculations. They even let me take my tape measure to the clothes they were wearing on a few occasions!

TB: What makes this a pattern for a crocheter with an intermediate skill level? Are there any advanced techniques that are needed to complete this design?

JH: This is an intermediate pattern because of the shaping throughout the jacket. There is nothing very advanced at all in the pattern. In fact, it might be a good pattern for someone who is looking to move up from an easy pattern for the first time. The stitch is simple and even the scalloped edges along the jacket fronts are part of the jacket, rather than a trim stitched on at finishing!

TB: What type of technique do you recommend to sew the seams to assemble the jacket?

JH: The mattress stitch is my favorite way of seaming: keeping the pieces to be joined adjacent to each other, working on the right side of the garment, and stitching back and forth between pieces with rows or stitches aligned. The benefit of working with the right side facing is seeing that the seam is turning out well. I LOVE Knit Klips as an alternative to pins to hold the pieces together while I work!

TB: I am really intrigued about the bamboo/wool yarn that you used for this jacket. The stitch pattern you used produced a solid fabric, but the fabric still contains a nice drape and appears to be lightweight. Can you describe how the yarn cooperated with this design?

JH: This jacket needed great stitch definition because it is such a solid fabric. The Red Heart Bamboo Wool was perfect for that—the stitches pop and the fabric has nice body and drape at the same time! (—and this yarn comes in such amazing, rich colors!)

TB: I have to say that I believe this will be one time where the smaller ladies will be jealous of the plus-sized designs. Do you have any plans to create these same designs in smaller sizes?

JH: Thanks, and I have to agree! I certainly would do so if the demand arises!

Thank you for answering my questions and allowing me to share your new book, Jill.

A few years ago, I was exploring how to create different star and pinwheel shapes using Tunisian Crochet. One of the first motifs I came up with was a five-pointed star shape, which I went on to use in my Seaside Throw Afghan which was published in the Interweave Crochet Summer 2009 issue. The six-pointed star was one of the next incarnations of the Tunisian crochet star motif. I enlarged the small motif into a large star, and sketching and playing with color options brought about the stripes and burst of color from the center of the star.

This afghan is shown on a king-sized bed, but the pattern can easily be adapted to any size just be decreasing the stitch and row count.

 

One hat, multiple looks.

This asymmetrical cloche is worked in the round in single crochet. The increased length on one side is created by adding half-double crochet. Two columns of eyelets grace one side through which either the self-tie or purchased ribbon can be threaded, or wear the hat without any embellishment as a simple cloche. Weave the self-tie vertically through the eyelets, draw up the self-tie and make a bow to create “pillbox” or “turban” looks. This pattern is available here on This Is Crochet and also at Knitpicks for a reduced price.

Someone gave me this photo, and I love it! I would sit next to him everyday on the train. Not only is he crocheting while commuting, but he’s doing it while sporting his crochet ensemble. He is truly repping for crochet.